ponedjeljak, 19. listopada 2020.
PIXEL
'Display' and 'Screensaver' were executed in an intaglio printmaking process or to be more exact etching. Subsequently, a few hundred prints were attached to kapaline board. Due to the ephemeral aspects of the artworks, they can be displayed and constantly adjusted to exhibition space depending on its size, arrangement of prints and dimensions of complete artwork set up as an installation. The works, always arranged and adjusted in a different way, have been exhibited in more different galleries and exhibition spaces.
nedjelja, 18. listopada 2020.
MINIATURES
„Miniatures“
is an installation consisting of a series of graphic prints – miniatures
displayed together with a magnifying glass attached with the purpose to incite
interaction with spectators. The prints are engraved in drypoint and depict
explosions of unknown and insignificant origin. This work is questioning the
relationship between image and observer by transforming forceful and
omnipresent media images into miniatures aiming at provoking 'the passive and
media-bombed eye' of the spectator. In order to achieve its purpose this work
interactively involves the spectators: the magnifying-glass engages us to get
closer to the work, face the prints at close range and pause to consider their
implications in an intimate ritual of
observation. On the one hand this installation semantically comments on
information redundancy, and on the other hand emotional levity and indifference
to such occurences in the world in
which, due to vastness of spectacles, people don't perceive sufferings and
devastation. Therefore, despite the format, these miniature explosions of high aesthetic value are very powerful and
embody subtle social criticism.
SANDA KATAVIĆ ČAUŠIĆ
SANDA KATAVIĆ ČAUŠIĆ
DRAWINGS
Crtež na papiru sa tintom i gumenim žigom. Na gumenom žigu, pomoću kojeg je načinjen crtež, nalaze se riječi "Copyright". Ideja je zapravo komentar današnjeg pristupa umjetničkom djelu i svijeta umjetnosti koji teži promociji i reklami umjetničkih djela. Mjesec kao motiv je izabran jer sam tražio nešto što svi množemo vidjeti i što bi kada pogledmo odmah podsjetio na ovaj rad. Zapravo sam se poigravao idejom idealne reklame. Tekstom na gumenom žigu “Copyright”, kojim je crtež napravljen, sam sebi dao za "Pravo" preuzeti autorska prava na pogled na mjesec odnosno koristiti ga kao reklamu za vlastiti rad.
Rad je prodan i u vlasništvu je Muzeja likovnih umjetnosti u Osijeku u Hrvatskoj.
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